Presidential Visiting Fellows for 2020-21


Yale welcomes these distinguished scholars and practitioners to campus in 2020-21 as Presidential Visiting Fellows

Presidential Visiting Fellows are appointed as part of the Faculty Excellence and Diversity Initiative.  Approximately 10 exceptional scholars and practitioners who contribute to inclusive excellence will be appointed each year during the initiative
Lileana Blain-Cruz, Presidential Visiting Fellow 2020-21

Lileana Blain-Cruz
Lecturer, School of Drama

Blain-Cruz is a director from New York City and Miami. She is a recent recipient of a New York Theatre Workshop 2050 Fellowship and a 2017 Obie Award for directing The Death of the Last Black Man in the Whole Entire World at Signature Theatre. Recent projects include Dominique Morriseau’s Pipeline, Christina Anderson’s Hollow Roots which premiered in the Under the Radar Festival at the Public Theater and A Guide to Kinship and Maybe Magic, a collaboration with choreographer Isabel Lewis and playwright Branden Jacobs-Jenkins at Dance New Amsterdam. She is the co-founder and director of the ensemble company Overhead Projector, which devises new work. She received her M.F.A. in directing from Yale School of Drama, where she directed Doctor Faustus Lights the Lights, The Taming of the Shrew, Tall Skinny Cruel Cruel Boys, Buffalo Maine, Cavity and Fox Play as part of the Carlotta Festival of New Plays. She was one of the co-artistic directors of the 2011-2012 Yale Cabaret, where she directed Funnyhouse of a Negro, Vaska Vaska Glöm, and SALOME. She received both the Julian Milton Kaufman Memorial Prize and the Pierre-Andre Salim Prize for her leadership and directing. She was an Artistic Associate of The Exchange and The Orchard Project, a member of the Lincoln Center Director’s Lab, and an Allen Lee Hughes Directing Fellow at Arena Stage. She is a graduate of Princeton University. Lileana recently directed a new translation of The Bakkhai at the Fisher Center of Performing Arts at Bard College and is currently working on an adaptation of the Alejandro Jodorowsky film, EL TOPO.

Alan C. Edwards
Lecturer, School of Drama

Since receiving his M.F.A. from Yale School of Drama in 2011, Alan has had great opportunities to design for a diverse selection of theater companies including The Classical Theatre of Harlem, the Oregon Shakespeare Festival, and Dallas Theatre Center, where in 2015, he designed lighting for the world premiere musical Stagger Lee, written by Will Power & Justin Ellington. The story followed five characters through the African-American experience of the 20th century. For Classical Theatre of Harlem, Alan has become a regular, designing their uptown Shakespeare in the Park (The Tempest and Macbeth)and their world premiere Harlem-based Christmas musical The First Noel, in association with The Apollo Theatre. At the National Black Theatre, Alan has had the pleasure of designing premieres of Nikkole Salters’ Carnaval, and Chisa Hutchinson’s Dead & Breathing, among other projects. A special collaboration between CTH and NBT bred a production of Amiri Baraka’s Dutchman which led to Alan’s nomination for the Audelco Award for Lighting Design in 2014. In dance, he has collaborated with choreographers Jessica Chen and Jeremy McQueen on numerous occasions. Select theater, dance & opera credits include: The Mountaintop (Cleveland Playhouse, Dallas Theatre Center), Constellations, Deathtrap (Berkshire Theatre Group), The Black Iris, Madiba (Jeremy McQueen), Carmen (Tri-Cities Opera), Suor Angelica (Simpson Opera), Acis & Galatea (Madison Opera), A Delicate Balance and The Piano Lesson (Yale Rep). Alan began teaching at Yale School of Drama in 2016, and is also on the faculty for the Yale College undergraduate program.

Mickalene Thomas
Lecturer, School of Art

Ms. Thomas received her B.F.A. from Pratt Institute in 2000 and her M.F.A. in painting from Yale University in 2002. In 2002-2003, she participated in the Artist-in-Residence program at the Studio Museum in Harlem. Recent awards include the Rema Hort Mann Grant in 2007 and the Pratt Institute Alumni Achievement Award in 2009. Residencies include the Versailles Foundation Munn Artists Program at Giverny, France through the Art Production Fund in 2010. She is represented by Lehmann Maupin in New York, Rhona Hoffman Gallery in Chicago and Susanne Vielmetter Projects in Los Angeles. She was commissioned by the Museum of Modern Art to create a new work for the façade of The Modern on 53rd Street for 2010. Her work is in many public collections including the Guggenheim Museum; the Whitney Museum of American Art; the Brooklyn Museum; the Studio Museum in Harlem; the San Francisco Museum of Modern Art; the National Portrait Gallery in Washington D.C.; and the Art Institute of Chicago. Ms. Thomas is a Visiting Assistant Professor at Pratt Institute and was appointed critic in painting/printmaking at Yale in 2009.